Actor Ajay Gehi emphasizes the importance of tight plotting and fast-paced twists in micro dramas to hold viewer attention.
He believes these short formats can be stepping stones for emerging talent but are easily forgotten amidst content overload.
Ajay Gehi, known for pivotal roles in films like Maqbool, Raavan, Not a Love Story, and The Good Road, which was also India’s entry to the Oscars in 2013, says that all micro dramas need a very strong plot.
He was last seen in Ek Thi Begum and the TV show Hero: Gayab Mode On, for which he won an award for Best Negative Role.
Ajay says, “Micro dramas need the plot points and the climax (or the twist) to be placed very closely, as you cannot afford to lose the viewer’s attention. The acting can be over the top or even bad, but the success of a micro drama relies on fast editing and music.”
Talking about the creative choices in scripting and shooting, Ajay Gehi shares, “A few things need to be taken care of. The storyline has to be easy to understand. The plot must be set quickly. The obstacles and their resolution, with a twist, all need to unfold rapidly.”
When asked if he feels micro dramas could serve as an entry point for new talent, Ajay Gehi says, “Sure, these can be an entry point for all creative people, as anything that goes viral or trending grabs everyone’s attention.”
Ajay Gehi adds, “Instant feedback can be a boon if it’s well received. It can even open more opportunities. But micro dramas can quickly grab your attention—and are just as quickly forgotten, as there is a huge bombardment of such content.”
